Poetics of the deconstruction of Reinhard Jirgl’s text: A trans­lational perspective

This article explores Reinhard Jirgl’s concept of literary writing, which uses linguistic and textual deconstruction, alphanumeric encoding, intra- intertextual strategies. Semiotic discursive analyses allow identifying lexical, syntactic, semantic elements the structural functional performativity texts. His prose exploits enor­mous poetic potential code, aesthetics narrative simultaneity hypertextuality, fragmentedness agent. The principle aberrant text produc­tion helps author stage process sense formation brings to fore hierarchical rule destruction, applies language, society, reality. By deconstruct­ing syntax orthography, system language script generates new senses. It also compels recipient destroy customary mental matrices analyse processes taking place in society. Narrative staging texts is performed identify main problems that student translators are faced with when decoding writer’s prose. Rendering a contemporary fic­tional into different requires paying attention meaning construction (de)construction, extralinguistic context, links interactions between social meanings. Moreover, it necessary explore connections performa­tive characteristics utterances. New contexts alarmist forms peculiar writing urge translator develop specific professional skills philological competencies.